(This post was written before I saw Skyfall; my review of the film, including the artwork, is Last Rat Standing: Skyfall & the Question Of Free Will). Skyfall will probably be the best Bond film ever; why? Meticulous care has been taken by expert film makers to build up the character of Bond for the audience to dive into; Bond has been re-made into an icon--not only of action heroes--but of metaphysical and cultural identity reflecting the dramatic changes in global events and norms. It's because Bond has become human, then risen above his human boundaries, that we both believe everything he does and willingly suspend our disbelief to believe everything he does, and this is character success when the audience wants them to succeed and identifies with them in their pain.
If you want to know what happens in the film before seeing it, the complete synopsis is here!
Whenever a character dies, it is a metaphysical/cultural judgment upon whatever that character represented/symbolized. Being an older woman, M symbolizes Great Britain, specifically, the "old order" of Great Britain and the way things have been done, the values the UK has stood for and fought for; what changes all that? That has to be seen in the film, but my thesis going into Skyfall is that the film makers are critical of the enemies England has fought in the past mistaking the enemies for the friends, and the friends for enemies (China and communism).
Where are they and what are they looking at?
We know by the paintings in the room they are in London, the National Gallery, specifically in Room 34, south end, facing the west wall (being an art history major has finally paid off,...); let us now compare those specific coordinates of Bond's exact location to this clip when M (Judi Dench) tries to "locate" Bond:
Why would his boss (a long acquaintance) have little knowledge of Bond's location, yet Q (who Bond has just met) knows 007's exact location? Such a grand, polemical comparison in Bond's relationship to M and Q will be constant throughout the film and this is only one of several dichotomies upon which the characterizations will hinge. Why should we care about that? Because if the characters demonstrate such highly dramatized polarizations, the villain and the hero will exhibit ever greater diametrical opposition--that vastness in-between good and evil--and identifying those poles will not only be the key to understanding what the film wants to say and why it needs to say it, but where we enter into that discussion.The reason this scene in the museum is so important is because this is the scene wherein Bond gets the gun that fits to the palm of his hand, so only he can fire it: a work of technological art within a setting of cultural art.
There's something unusual about this scene in the National Gallery,... the seat. Yes, it's the bench that is so odd, because there are no "benches" in Room 34 of the National Gallery, there are individual leather seats, all together in a row, one row at one end of the room, another row at the opposite end. So why a bench? Q and Bond "share the same space," or are in "the same position" (you can, if you want, stop the film at 0:02 and compare how they are mirror images of each other in that pose, their arms, their legs, their suits, and the similarities only heighten their differences; more on that below). So they occupy that same sort of space; so what? Well, the long black bench the leather chairs have replaced puts them "on equal footing" within their relationship (they "balance" each other, if you will, like two children on either end of the see-saw) and, because the very painting they look at reflects them more than they reflect upon it, it's time to "turn" (as in Turner) our attention to it.
Or is it?
Bond being the old warship led away to the scrap yard is how it has been interpreted. I disagree with this. Bond doesn't die in the film, M does, and because the Fighting Temeraire was Britain's famous warship that battled England's Catholic enemies, the Spanish and French, I think the boat far better symbolizes for us how M is being retired to the scrap heap while the black tugboat is Silva: dark because of his wounds and hatred, but also because his motivations are dark and greedy. It's difficult to say, at this point, if Q is thinking of Bond as he gives his melancholy interpretation of the inevitable, and if Bond is thinking of himself or M as he sighs about a big, bloody ship, but there is another key element to this scene.
If you note in the art museum clip, this is the painting behind Bond (it's the actual paining in Room 34 at that position). I took time to point out the changed seating in the room because I wanted to demonstrate how this painting could have been edited out of the shots but they wanted to include it in. Gainsborough's portrait of the young, married couple suggests a new beginning. As they walk on the path, it's the path of life, and the white dog symbolizes loyalty and fidelity. Since the painting shows up behind Bond during this clip, we can see it relating to him, that even though Silva will take away the old Britain from him in the person of M, a new, young bride awaits him (symbolically); so the question is, who is this new bride?
The People's Charter was passed, a movement of socialism. While the Charter was a wonderful advancement in civil rights, some, such as Turner himself, could have seen the workers of England toting off the grand old British Crown like a heap of scraps at the mercy of the "work boat" (the tug boat as the workers' movement). Therefore, it's possible that the "new bride" of Bond will be socialism, which is devastating given that Bond has always fought socialism throughout his career.
Is this the side that Skyfall takes?
priest hole. These revelations rather complicate Bond so I want to draw your attention to them now but I am going to wait to say anything further until after the film.
Again, I have no doubt that Skyfall (the name of Bond's childhood home being given the title of the film alerts us that the whole film is geared towards what happens at Skyfall Lodge) will be the best Bond film ever, maybe even the best film of the year. I am off to see it now and will be tweeting my initial response and working on this post to get it up asap because it's so important! Go see the film and enjoy it and we'll discuss it!
Eat Your Art Out,
The Fine Art Diner
If you want to know what happens in the film before seeing it, the complete synopsis is here!
Whenever a character dies, it is a metaphysical/cultural judgment upon whatever that character represented/symbolized. Being an older woman, M symbolizes Great Britain, specifically, the "old order" of Great Britain and the way things have been done, the values the UK has stood for and fought for; what changes all that? That has to be seen in the film, but my thesis going into Skyfall is that the film makers are critical of the enemies England has fought in the past mistaking the enemies for the friends, and the friends for enemies (China and communism).
Where are they and what are they looking at?
We know by the paintings in the room they are in London, the National Gallery, specifically in Room 34, south end, facing the west wall (being an art history major has finally paid off,...); let us now compare those specific coordinates of Bond's exact location to this clip when M (Judi Dench) tries to "locate" Bond:
Why would his boss (a long acquaintance) have little knowledge of Bond's location, yet Q (who Bond has just met) knows 007's exact location? Such a grand, polemical comparison in Bond's relationship to M and Q will be constant throughout the film and this is only one of several dichotomies upon which the characterizations will hinge. Why should we care about that? Because if the characters demonstrate such highly dramatized polarizations, the villain and the hero will exhibit ever greater diametrical opposition--that vastness in-between good and evil--and identifying those poles will not only be the key to understanding what the film wants to say and why it needs to say it, but where we enter into that discussion.The reason this scene in the museum is so important is because this is the scene wherein Bond gets the gun that fits to the palm of his hand, so only he can fire it: a work of technological art within a setting of cultural art.
Ben Whishaw as Q. |
Or is it?
Bond being the old warship led away to the scrap yard is how it has been interpreted. I disagree with this. Bond doesn't die in the film, M does, and because the Fighting Temeraire was Britain's famous warship that battled England's Catholic enemies, the Spanish and French, I think the boat far better symbolizes for us how M is being retired to the scrap heap while the black tugboat is Silva: dark because of his wounds and hatred, but also because his motivations are dark and greedy. It's difficult to say, at this point, if Q is thinking of Bond as he gives his melancholy interpretation of the inevitable, and if Bond is thinking of himself or M as he sighs about a big, bloody ship, but there is another key element to this scene.
Mr and Mrs Hallet (The Morning Walk) by Gainsborough. |
The People's Charter was passed, a movement of socialism. While the Charter was a wonderful advancement in civil rights, some, such as Turner himself, could have seen the workers of England toting off the grand old British Crown like a heap of scraps at the mercy of the "work boat" (the tug boat as the workers' movement). Therefore, it's possible that the "new bride" of Bond will be socialism, which is devastating given that Bond has always fought socialism throughout his career.
Is this the side that Skyfall takes?
priest hole. These revelations rather complicate Bond so I want to draw your attention to them now but I am going to wait to say anything further until after the film.
Again, I have no doubt that Skyfall (the name of Bond's childhood home being given the title of the film alerts us that the whole film is geared towards what happens at Skyfall Lodge) will be the best Bond film ever, maybe even the best film of the year. I am off to see it now and will be tweeting my initial response and working on this post to get it up asap because it's so important! Go see the film and enjoy it and we'll discuss it!
Eat Your Art Out,
The Fine Art Diner
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