Why do this now?
Besides my love of fabulous films, as 2010's Best Picture of the Year, The Hurt Locker is not only in the mind of a film maker like Ben Affleck, releasing his Argo Friday, but as well, in the minds of viewers during films such as Expendables 2, Taken 2 and potentially Skyfall; because The Hurt Locker is by far the most complete statement of the War on Terror, and what it has done to us as a country, and the brave soldiers fighting, we can't help but somehow mentally reference the film that visually gave us the the metaphor of the Middle East as a bomb, and the costs of disarming it. Whether we realize it or not, The Hurt Locker provided us with an education regarding the war we are fighting, who we are fighting, and how they are fighting us back, and--most of all--when we see real-life images of anti-American protests in the Middle East, we seek solace in knowledge, specifically that knowledge of the war which has come to us through this film.
With the opening quote, "The rush of battle is a potent and often lethal addiction, for war is a drug," the second half of the quote, "for war is a drug," is broken away and left lingering as its own statement on the screen for viewers' meditation (War Is a Force That Gives Us Meaning, 2002, Chris Hedges). Does this automatically make The Hurt Locker an anti-war film? No. There are too many elements of undecidability to make a definite statement, which means, more than most films, The Hurt Locker aptly mirrors what the audience all ready believes about war and solidifies, rather than converts, the viewers' perception about what war is (whether it's a drug or not).
The other bomb James can't disarm is the vest of the forced suicide bomber: "There are too many bombs, there are too many wires!" Given the man has four children, we can look at him symbolically as being an elder or "founding father" of the country who has been forced into this role of suicide bomber with re-enforced steel locking him into the vest, and that vest symbolizes the bombs waiting to go off throughout the Middle East they themselves are responsible for (including religious powder kegs). Seeing this imagery, understanding this Gordian Knot, do we leave the powder kegs unattended, as liberals would have it, or do we make the best attempts we can at disarming it? Because of your politics and your morals, you all ready have your opinion formulated when you watch this scene, but the scene "arms you" with the reasons you believe what you believe.
More revealing than possibly any other moment of the film is when James goes on his solo mission to find out what happened to Beckham (after mis-identifying him) and ends up at the house of Dr. Nabil; when James returns to base, he tells a soldier he was at a whore house. Does James lie about where , was? No, I don't think so. Psychologically, when Dr. Nabil realizes he is there, Nabil is kind and welcoming then his wife comes out and starts getting hysterical; in terms of policy, we can see this as being an accurate depiction of how some countries in the Middle East seem to be welcoming us one minute, and then getting wild and protesting the next. The question is, how exactly does James see the country prostituting itself? By pretending to like us when it really wants us to get out, or by really wanting us there to help maintain order but it prostitutes itself to hysteria and irrationality?
Romney of wanting a "chest-pounding" and "sabre rattling" foreign policy
in relation to the attacks on the US Consulate in Libya. Since James can stand-in for that kind of American machismo, The Hurt Locker could be a timely lesson for all of us regarding the direction we think foreign policy should take and why. War can be a drug, but war can also be medicinal and teach us what we have done in the past and why we have done what we have done and make us into better Americans and better people.
Eat Your Art Out,
The Fine Art Diner
Besides my love of fabulous films, as 2010's Best Picture of the Year, The Hurt Locker is not only in the mind of a film maker like Ben Affleck, releasing his Argo Friday, but as well, in the minds of viewers during films such as Expendables 2, Taken 2 and potentially Skyfall; because The Hurt Locker is by far the most complete statement of the War on Terror, and what it has done to us as a country, and the brave soldiers fighting, we can't help but somehow mentally reference the film that visually gave us the the metaphor of the Middle East as a bomb, and the costs of disarming it. Whether we realize it or not, The Hurt Locker provided us with an education regarding the war we are fighting, who we are fighting, and how they are fighting us back, and--most of all--when we see real-life images of anti-American protests in the Middle East, we seek solace in knowledge, specifically that knowledge of the war which has come to us through this film.
With the opening quote, "The rush of battle is a potent and often lethal addiction, for war is a drug," the second half of the quote, "for war is a drug," is broken away and left lingering as its own statement on the screen for viewers' meditation (War Is a Force That Gives Us Meaning, 2002, Chris Hedges). Does this automatically make The Hurt Locker an anti-war film? No. There are too many elements of undecidability to make a definite statement, which means, more than most films, The Hurt Locker aptly mirrors what the audience all ready believes about war and solidifies, rather than converts, the viewers' perception about what war is (whether it's a drug or not).
The other bomb James can't disarm is the vest of the forced suicide bomber: "There are too many bombs, there are too many wires!" Given the man has four children, we can look at him symbolically as being an elder or "founding father" of the country who has been forced into this role of suicide bomber with re-enforced steel locking him into the vest, and that vest symbolizes the bombs waiting to go off throughout the Middle East they themselves are responsible for (including religious powder kegs). Seeing this imagery, understanding this Gordian Knot, do we leave the powder kegs unattended, as liberals would have it, or do we make the best attempts we can at disarming it? Because of your politics and your morals, you all ready have your opinion formulated when you watch this scene, but the scene "arms you" with the reasons you believe what you believe.
More revealing than possibly any other moment of the film is when James goes on his solo mission to find out what happened to Beckham (after mis-identifying him) and ends up at the house of Dr. Nabil; when James returns to base, he tells a soldier he was at a whore house. Does James lie about where , was? No, I don't think so. Psychologically, when Dr. Nabil realizes he is there, Nabil is kind and welcoming then his wife comes out and starts getting hysterical; in terms of policy, we can see this as being an accurate depiction of how some countries in the Middle East seem to be welcoming us one minute, and then getting wild and protesting the next. The question is, how exactly does James see the country prostituting itself? By pretending to like us when it really wants us to get out, or by really wanting us there to help maintain order but it prostitutes itself to hysteria and irrationality?
Romney of wanting a "chest-pounding" and "sabre rattling" foreign policy
in relation to the attacks on the US Consulate in Libya. Since James can stand-in for that kind of American machismo, The Hurt Locker could be a timely lesson for all of us regarding the direction we think foreign policy should take and why. War can be a drug, but war can also be medicinal and teach us what we have done in the past and why we have done what we have done and make us into better Americans and better people.
Eat Your Art Out,
The Fine Art Diner
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