The Transfiguration, completed in 1520, the year of his death (probably finished by a student; painting pictured below). Why did it sell for so much? To begin with, drawings by Renaissance Old Masters are rare, very rare. Why? "They are so beautiful, they contain so much mastery of their craft and there is such a stately elegance about them," people say, especially when they see a calendar of Old Master drawings. Let me put it this way: calling an Old Master a genius because of the quality of their drawings is like calling someone who knows how to email a computer genius; drawing was just a basic skill, and I do mean basic: artists would attain certain economic and social levels during this time in history, but they were primarily considered to be craftsman and workman. Their finished pieces, the grand paintings and the great statues, were what they wanted people to remember, not their scribblings, so, when they were done with the sketches, they were usually thrown away,... but not this one.
So three considerations go into the enormous price: first, it's extremely rare, secondly, it was for an Old Master's masterpiece and, thirdly, it appears to be in impeccable condition. In spite of its age, it has been preserved in pristine condition (we can speculate that, if there were any damage, it might still have sold for this much; Sotheby's reports that four bidders were in a heated contest for the piece, so that's a bit of a crowd instead of just one or two eccentric collectors). But I would like to add a note on why this particular drawing is, indeed, breathtaking: it doesn't look anything like the rest of the painting.
mannerism which Transfiguration is done in. Look, if you will, at the back of the neck: there is the muscle in the movement of turning, the light casts an unusual shadow on the left-side of the face that darkens the half-closed eyes looking down. The figure knows he is dramatic just by being, he doesn't have to turn and point, expand his eyes or fall down as in the finished painting. This is the type of figure from Michelangelo's ceiling of the Sistine Chapel (example below).
So three considerations go into the enormous price: first, it's extremely rare, secondly, it was for an Old Master's masterpiece and, thirdly, it appears to be in impeccable condition. In spite of its age, it has been preserved in pristine condition (we can speculate that, if there were any damage, it might still have sold for this much; Sotheby's reports that four bidders were in a heated contest for the piece, so that's a bit of a crowd instead of just one or two eccentric collectors). But I would like to add a note on why this particular drawing is, indeed, breathtaking: it doesn't look anything like the rest of the painting.
mannerism which Transfiguration is done in. Look, if you will, at the back of the neck: there is the muscle in the movement of turning, the light casts an unusual shadow on the left-side of the face that darkens the half-closed eyes looking down. The figure knows he is dramatic just by being, he doesn't have to turn and point, expand his eyes or fall down as in the finished painting. This is the type of figure from Michelangelo's ceiling of the Sistine Chapel (example below).
Sistine Ceiling, Michelangelo. |
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