When I was a graduate in the philosophy program at a Catholic college, one of our favorite Thursday night discussion group questions was, "If you had a chance to kill the anti-Christ baby, would you do it?" the anti-Christ baby being a child who's destiny is to set in motion a chain of cataclysmic events particularly harmful to the world and Christians (depending on which denomination you adhere to colors this concept one way or another). Generally, speaking, all of us nearly always said, "No, that would be a sign of lacking faith in God, I wouldn't do it," whereas someone would always argue, "But God gave you that chance to stop what you know will hurt people and you have a moral duty to save the greatest number of people," etc. If this kind of debate interests you, Rian Johnson's Looper, out on video this week, will make you debate yourself, because that's what happens in the film.
"The Rainmaker" is a small child during Joe's (Levitt) life as a looper; when Joe's time is up (Old Joe played by Bruce Willis) Old Joe realizes he has to put an end to "looping" to save the life he created for himself in the future and the only way to do that, and save the world from the reign of the mob-boss the Rainmaker, is to kill the kid now. Joe, on the other hand, has to kill Old Joe and keep him from carrying out his plan so Joe can live out the rest of his life with the money he will get from killing Old Joe. So, the film centers around the age-old question: do you kill the anti-Christ child? (No, he's not referred to as the "anti-Christ child" but all the main characters involved know this kid is trouble).
It's a difficult issue, discovering who is the mother of Cid, because Sara (Emily Blunt) cares for Cid but Cid tells Joe that his mother died. Sara tells Joe her sister raised Cid until she died, then Sara cleaned up her wild act to return and take care of Cid herself. Why is this important? Because we know that young women of child-bearing age (Sara and her sister) symbolize the future of the "motherland," but there are "two" possible "motherlands," Sara and her deceased sister, meaning a conflict in Cid's identity. Sara had a wild past; Cid is a mutant with outrageous telekinetic powers to destroy anything or anyone without mercy when he gets upset; in one of these "telekinetic outbursts," Cid killed Sara's sister.
What do you think about all this?
Who is Cid? Obama because Obama killed America.
Unless,...
I don't think this is much of a possibility, however, we have seen Project X be a satire on the Democratic Party and the way they are running the country, so either writer/director Rian Johnson is really stupid--writing a screenplay in which he encourages conservatives and capitalists to just roll over dead and let a future no one wants take place just because--or he's really smart in showing us what we are doing if we don't do something and trying to get us worked up (this came out before the 2012 election) and show us the lives we are throwing away if we don't take actions to stop the socialist revolution in America.
The moral structure of the film is so conflicting that it's difficult finding a cohesive position from which to understand all the elements the film presents. In art, multiple interpretations are always possible, but each needs to be consistent in incorporating as many elements of the film as possible. Again, if you are looking for a good mental challenge and a narrative to "really enter into," Looper would make a great film to see with someone else (there is some topless nudity, violence and drug use, foul language) because you are going to want to discuss this one with someone, and please, when you have seen it, leave your own interpretation in the comments section to help us all the more access we have to the greatest number of possible meanings, the greater our understanding and engagement!
Eat Your Art Out,
The Fine Art Diner
First of all, the film is done quite well and, if you enjoy a cerebral challenge, you might enjoy this one; it's violently anti-capitalist, as much as Django Unchained and more so than Lawless. It's well done and has been nominated at least once by a critical group for screenwriting honors. Secondly, it does something unusual: it takes place in Kansas, 2044. Why? Spielberg's Lincoln opens in Kansas and the upcoming Oz: the Great and Powerful starts in Kansas (it seems like I am forgetting one?), so, with a state that has little film making history, why would there be a definite trend being set to incorporate this state into main stream films? Kansas is slow to change, politically and morally conservative, it offers a steady vision of picturesque, small-town America (if you recall William Holden's and Kim Novak's Picnic of 1955, it was filmed in Halstead, Kansas) and when most people hear "Kansas," they instantly think of Dorothy and Toto. Seeing Joe (Joseph Gordon-Levitt) against a Kansas wheat field, premeditating on killing someone about to appear, accentuates how "dirty" this job is against the clean and natural Kansas roads and open sky. What might be going on here, in using Kansas in all these films, is the same as if you had one dress (Kansas) and were putting several different women into it (different arguments and economic models for the country) to see who would look better in it and which dress would best accentuate certain features; in other words, what is best for Kansas is best for the country, and we certainly can't overlook the "reader-response" of an audience hearing "Kansas," thinking of Dorothy's trip to Oz, and putting the viewer in that same travel-mode: we are going to take you over the rainbow in our film, too, so sit back and hear our tale, and see if you think this is a good idea,... |
There is an interesting device used: remember the priest hole in Skyfall? The same kind of "tunnel" exists in Looper (but it's not called that), their grandpa dug it. |
What do you think about all this?
Who is Cid? Obama because Obama killed America.
Unless,...
I don't think this is much of a possibility, however, we have seen Project X be a satire on the Democratic Party and the way they are running the country, so either writer/director Rian Johnson is really stupid--writing a screenplay in which he encourages conservatives and capitalists to just roll over dead and let a future no one wants take place just because--or he's really smart in showing us what we are doing if we don't do something and trying to get us worked up (this came out before the 2012 election) and show us the lives we are throwing away if we don't take actions to stop the socialist revolution in America.
The moral structure of the film is so conflicting that it's difficult finding a cohesive position from which to understand all the elements the film presents. In art, multiple interpretations are always possible, but each needs to be consistent in incorporating as many elements of the film as possible. Again, if you are looking for a good mental challenge and a narrative to "really enter into," Looper would make a great film to see with someone else (there is some topless nudity, violence and drug use, foul language) because you are going to want to discuss this one with someone, and please, when you have seen it, leave your own interpretation in the comments section to help us all the more access we have to the greatest number of possible meanings, the greater our understanding and engagement!
Eat Your Art Out,
The Fine Art Diner
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