Why did Rock Of Ages fail this weekend at the box office?
I think there are two reasons: one, the moral is so "on the fence," that no one buys it (again, like Wrath Of the Titans, if Rock Of Ages had been released two years ago, it would be more relevant but no one buys the message now). Secondly, the generation for whom it was made didn't like musicals, the very nature of the Rock 'n Roll they listened to growing up and so fondly remember created within them a sarcasm and cynicism towards the kind of "expression" the film utilizes as its vehicle.
Perhaps it's because they are the ones most likely to be leaning in the liberal-independent political camp: we can say the film is liberal because of the lifestyle (specifically gay and sexually promiscuous) of the characters but it's also a capitalist film because even while it shows the hardships of working and failing within a capitalist society, it also shows the rewards for the individuals and the fruits for society. Why would this be important in this election year? Liberals/democrats all seem to think they have to be pro-socialist in order to have their entitlements and lifestyles gain political acceptability; Rock Of Ages, however, puts forth that you can still be a "liberal" without being a socialist and that is an important political message which has obviously gone unnoticed (it doesn't contain some of the messages I was hoping for but it wasn't as cruel to religion as it could have been).
Under the Bridge: the Red Hot Chili Peppers & Film Noir, since the song came out in 1992 and Rock Of Ages takes place in 1987, they are close enough but Under the Bridge provides a soundboard for what had changed in those years) .
Where's a suitable foe now?
When we first see a picture of Stacee Jaxx in the film, it's a poster and he's wearing a silver cock piece of a satanic head with a very long, red tongue sticking out of its mouth, and Stacee's own tongue sticking out as well. In the video excerpt below when Patty (Catherine Zeta-Jones) is rallying some Catholic church women to her political cause, a poster of Stacee Jaxx has been placed over the altar as the anti-Christ; at about 0:26 into the video, there is a shot of the famous poster:
Then, Lonnie is relating to Dennis how Stacee failed to show up for a concert because he was at a seance trying to get the devil to sew up a woman's vagina (which, Lonnie points out, doesn't make sense, why would the devil want to sew up a vagina? and I have to agree with him) but we also see Stacee talking about the voices he hears. Later in the film, when Constance Sack (Malin Ackerman) from The Rolling Stone is interviewing Stacee, she grills him for being immature and letting go of his art, then they end up making out and she sticks her tongue in his ear. Later than that, Stacee calls Rolling Stone wanting to talk to "Cinderella" because "she stuck her tongue in my ear," and when he sees her at the Bourbon Room, he tells her to open her mouth really wide and he sticks his tongue into her mouth. This all makes perfect sense!
Before Stacee goes to the Bourbon Room for the second time, he calls the office of Rolling Stone magazine from a pay phone to talk to "Cinderella" (because he can't remember Constance's name). Why does this happen? Stacee Jaxx is a multi-millionaire (and in the 1980's that still meant something), so why call from a pay phone? Those who read my post on Night Of the Living Dead (last October) might remember the artistic importance of a ringing phone, making a call, answering a call: it symbolizes our destiny. Stacee is "calling out" to Constance and the pay phone lets the audience know the price that Stacee is willing to pay to get back with her--what price? The self-destructive fame trap which everyone seems to crave, but everyone seems to die in.
It just so happens there was a glam-rock band called Cinderella and in 1987 they released a song Somebody Save Me (lyrics here). When Stacee is reaching out to find Constance again, he's asking her to save him. Earlier, Paul tells Stacee that Rolling Stone is there to see him and Stacee looks around and says, "Where's Mick (Jagger)?" the double-play on the magazine and the band makes it possible for a double-play on the fairy tale and the band Cinderella (if you know a better song they might want to draw our attention to, please let me know!).
Last thing: the role of animals.
In the picture below, Dennis wears an animal print shirt, Stacee wears a heavy fur coat and his baboon, "Hey Man," wears a black leather outfit (and his name is a noun for a human). Like the role reversal of genders (when the bartender is selling to guys drinks and Dennis thinks they are girls who should drink free, and then Stacee's own name, traditionally a female name) animals and humans have been reversed in the film as well.
Why?
The 1980s were a time of the appetites (for more on this, please see my post on the 1986 cult classic Abe Froman the Sausage King Of Chicago and pork barrel politics in Washington as discussed in Ferris Bueller's Day Off) but the rock world was particularly out of control with its appetites to the point that anything was acceptable and because of that, everyone was engaging in anything, turning us into animals rather than humans. Well, animals can't make art, and Stacee's descent into his animal appetites has caused his lack of creativity and Dennis' inability to make the Bourbon Room turn a profit.
Eat Your Art Out,
The Fine Art DinerP.S.--Just for fun, here are videos of some of the original songs from the film:
I think there are two reasons: one, the moral is so "on the fence," that no one buys it (again, like Wrath Of the Titans, if Rock Of Ages had been released two years ago, it would be more relevant but no one buys the message now). Secondly, the generation for whom it was made didn't like musicals, the very nature of the Rock 'n Roll they listened to growing up and so fondly remember created within them a sarcasm and cynicism towards the kind of "expression" the film utilizes as its vehicle.
Perhaps it's because they are the ones most likely to be leaning in the liberal-independent political camp: we can say the film is liberal because of the lifestyle (specifically gay and sexually promiscuous) of the characters but it's also a capitalist film because even while it shows the hardships of working and failing within a capitalist society, it also shows the rewards for the individuals and the fruits for society. Why would this be important in this election year? Liberals/democrats all seem to think they have to be pro-socialist in order to have their entitlements and lifestyles gain political acceptability; Rock Of Ages, however, puts forth that you can still be a "liberal" without being a socialist and that is an important political message which has obviously gone unnoticed (it doesn't contain some of the messages I was hoping for but it wasn't as cruel to religion as it could have been).
Under the Bridge: the Red Hot Chili Peppers & Film Noir, since the song came out in 1992 and Rock Of Ages takes place in 1987, they are close enough but Under the Bridge provides a soundboard for what had changed in those years) .
Where's a suitable foe now?
When we first see a picture of Stacee Jaxx in the film, it's a poster and he's wearing a silver cock piece of a satanic head with a very long, red tongue sticking out of its mouth, and Stacee's own tongue sticking out as well. In the video excerpt below when Patty (Catherine Zeta-Jones) is rallying some Catholic church women to her political cause, a poster of Stacee Jaxx has been placed over the altar as the anti-Christ; at about 0:26 into the video, there is a shot of the famous poster:
Then, Lonnie is relating to Dennis how Stacee failed to show up for a concert because he was at a seance trying to get the devil to sew up a woman's vagina (which, Lonnie points out, doesn't make sense, why would the devil want to sew up a vagina? and I have to agree with him) but we also see Stacee talking about the voices he hears. Later in the film, when Constance Sack (Malin Ackerman) from The Rolling Stone is interviewing Stacee, she grills him for being immature and letting go of his art, then they end up making out and she sticks her tongue in his ear. Later than that, Stacee calls Rolling Stone wanting to talk to "Cinderella" because "she stuck her tongue in my ear," and when he sees her at the Bourbon Room, he tells her to open her mouth really wide and he sticks his tongue into her mouth. This all makes perfect sense!
Before Stacee goes to the Bourbon Room for the second time, he calls the office of Rolling Stone magazine from a pay phone to talk to "Cinderella" (because he can't remember Constance's name). Why does this happen? Stacee Jaxx is a multi-millionaire (and in the 1980's that still meant something), so why call from a pay phone? Those who read my post on Night Of the Living Dead (last October) might remember the artistic importance of a ringing phone, making a call, answering a call: it symbolizes our destiny. Stacee is "calling out" to Constance and the pay phone lets the audience know the price that Stacee is willing to pay to get back with her--what price? The self-destructive fame trap which everyone seems to crave, but everyone seems to die in.
It just so happens there was a glam-rock band called Cinderella and in 1987 they released a song Somebody Save Me (lyrics here). When Stacee is reaching out to find Constance again, he's asking her to save him. Earlier, Paul tells Stacee that Rolling Stone is there to see him and Stacee looks around and says, "Where's Mick (Jagger)?" the double-play on the magazine and the band makes it possible for a double-play on the fairy tale and the band Cinderella (if you know a better song they might want to draw our attention to, please let me know!).
Last thing: the role of animals.
In the picture below, Dennis wears an animal print shirt, Stacee wears a heavy fur coat and his baboon, "Hey Man," wears a black leather outfit (and his name is a noun for a human). Like the role reversal of genders (when the bartender is selling to guys drinks and Dennis thinks they are girls who should drink free, and then Stacee's own name, traditionally a female name) animals and humans have been reversed in the film as well.
Why?
The 1980s were a time of the appetites (for more on this, please see my post on the 1986 cult classic Abe Froman the Sausage King Of Chicago and pork barrel politics in Washington as discussed in Ferris Bueller's Day Off) but the rock world was particularly out of control with its appetites to the point that anything was acceptable and because of that, everyone was engaging in anything, turning us into animals rather than humans. Well, animals can't make art, and Stacee's descent into his animal appetites has caused his lack of creativity and Dennis' inability to make the Bourbon Room turn a profit.
Eat Your Art Out,
The Fine Art DinerP.S.--Just for fun, here are videos of some of the original songs from the film:
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