The team effort of Channing Tatum and Steven Soderbergh has given us Magic Mike a strong critique of capitalism that illustrates for us three strands of capitalism in America today: the debauched (Dallas and Adam), the boring and unfulfilling (Brooke) and the American Dream (Mike). I would like to think it's just a critique of the system and of those who caused the global financial crisis which has hampered the ability of others to live their dreams. The symbols are strong and well-constructed, invoking images we have seen in other films but taking a more careful approach and not being so quick to throw away the system it sees as being totally bankrupt.
Please recall that Steven Soderbergh was the director of another film recently utilizing a pig, Contagion, and someone eating what the pig had eaten also made them sick (please see Contagion: Bats & Pigs for my review; in Magic Mike, the Kid (Alex Pettyfur) is taking ecstasy and passed out on the floor and Herman the Pig comes and eats the tablets). In this film, I think we have to take Herman the Pig to be a symbol of capitalism because pigs symbolize the appetites. So what are the appetites being "exposed" in the film?
Do you hear those women?
Granted, this is a film and they are being directed how to act, but the point is, we believe they are acting this way because we have seen in other sources or actually know women like this, so this can be taken as a mirror of reality. The song It's Raining Men is also a mirror of reality: for the first time in history, it's raining men; Dallas (Matthew McConaughey, named after the tycoons of the TV series Dallas) talks about the cleansing and purifying rain coming down upon the ladies as the men are getting ready to perform the number with the umbrellas (and trust me, the umbrellas are meant to be a phallic symbol). Whereas rain is a sign of a character being cleansed and even "re-born," Dallas tells Adam (Alex Pettyfer) that the strippers are the husbands the women never had, the one night-stands and the fulfilled fantasy that allows them to go home to their husbands without having cheated on them (which is false), but now the rebirth the rain symbolizes is sexual appetites being created and fulfilled and it's because women want that and think it's a part of the "new femininity" that they "buy into it" (literally by throwing money and shoving money at the strippers).
visit this link to see Dallas training Adam on what women want from him when he's on the stage because the video wouldn't let me download it, but it's informative about what they aim to do, but it's also heavily edited). But linking sex to water in It's Raining Men--which is a traditional inversion of water as a sacrament of baptism cleansing one of their sins--is Brooke (Cody Horn) because her name also invokes water (a brook is like a stream) but she's the exact opposite of the women seen in the film (more on her below; Joanna [Olivia Munn] is another example of the masculine/feminine; her name, "Jo" and "Anna" combines the masculine and feminine and just so we don't miss this, the film makes sure to let us know that she's bisexual) linking the sexual experience to water creates the false illusion that this kind of experience is "life giving" when it's actually deadly (and we can say that because of various images in the film).
trailer for the documentary film Mansome (scroll down the page to find). Additionally, on the Fourth of July, Mike shows up at Brooke's house dressed as Marilyn Monroe in her iconic image from The Seven Year Itch about the problems of monogamy. Mike wearing Ms. Monroe's iconic white dress and platinum blond hair (wig) is a clear indication that he's losing his masculinity even as it appears he's living the dream life of every man (we can contrast this image with Jason Statham's Luke Wright in Safe, for example; please see Safe & Counter-Culture Masculinity for examples).
Why is this important to establish?
Because of "false" supply and demand it creates in the markets (this is an obvious Christian point for me to make, but I am going to focus on this economic one because it's unique how the film does it) and what it does to individuality. Let's watch this scene with Brooke and Mike: Mike very much reminds me of the artist William Morris who, in revolt against the Industrial Revolution devoted himself to making high-quality, original items the way things used to be made so the item would retain some of the person who made it (like a cobbler making shoes).
In this way, Mike represents the American Dream, doing what it is that you are good at and being able to make your living at it, because that is living because that is living, when your talent is being put to good use and it's supporting you because we are our talents and we are our dreams. In the opening of the film, when we first see Mike, he's with Joanna (Olivia Munn) and a third girl. Mike is leaving his house and asks Joanna to lock up and she is surprised that he would leave the two of them there; he doesn't think they will steal any of his stuff but Joanna tells him that stealing stuff is what strangers do. In truth, everything has all ready been stolen from Mike: his dignity (because he has to get drunk before he strips, meaning he can't "bear" to be fully conscious during the act) and the financial crisis caused by people like Dallas and Adam which wrecked the markets in 2008 and now mean that people like Mike can't get legitimate help because banks can't take a risk and the ones who did that, like Lehmann Brothers, stole from America and from the American Dream.
Brooke is a nurse's assistant, so she types all the nurses' paperwork for them...; now, we all have to have a job and means of supporting ourselves, so please do not take this in the wrong way, especially for those who are nurses' assistants but that would be an example of a boring, non-individuating job that is the American nightmare, the kind of job like, as Mike says, you do in order to raise money so you can do what you want to do.
The Theory of Moral Sentiments not invoked but necessary to making capitalism a healthy and truly productive system for societal economic sustainability (please see Radical Socialism: Abraham Lincoln Vampire Hunter & the Question Of American History). In the club where Mike dances, there is a statue of Michelangelo's David in gold, looking on the scene just as there is a David in Prometheus (Michael Fassbender who plays the android David to this statue David in Magic Mike). I couldn't find a photo of the statue, but here's a clip and the statue is in the background:
Why include that?
First, it reminds me of the 1960 Frederico Fellini film La Dolce Vita when Sylvia is seductively dancing (like the men's strip tease in Magic Mike) with that actor who has gotten the crazy hair cut (making him look like the pagan god Pan) while a giant statue of Constantine's head sits on the ground behind them, watching. Creating the link with the Fellini classic correlates Magic Mike's lifestyle to that of Marcello Rubini (Marcello Mastroianni) and the exhaustion of that lifestyle. But throughout some scenes in Magic Mike, they have placed a golden fig leaf over David's groin. Why? To undermine the "man after God's own heart," which David was and to make a point of David's holiness so the unholiness of the sexual lifestyle being bought and sold in the club will stand out against the gold of the statue like the black sin it is (for a more thorough analysis of David, please see 3 Davids, 3 Theologies: Donatello, Michelangelo & Bernini).
Eat Your Art Out,
The Fine Art Diner
Please recall that Steven Soderbergh was the director of another film recently utilizing a pig, Contagion, and someone eating what the pig had eaten also made them sick (please see Contagion: Bats & Pigs for my review; in Magic Mike, the Kid (Alex Pettyfur) is taking ecstasy and passed out on the floor and Herman the Pig comes and eats the tablets). In this film, I think we have to take Herman the Pig to be a symbol of capitalism because pigs symbolize the appetites. So what are the appetites being "exposed" in the film?
Women's appetites for sex.
Do you hear those women?
Granted, this is a film and they are being directed how to act, but the point is, we believe they are acting this way because we have seen in other sources or actually know women like this, so this can be taken as a mirror of reality. The song It's Raining Men is also a mirror of reality: for the first time in history, it's raining men; Dallas (Matthew McConaughey, named after the tycoons of the TV series Dallas) talks about the cleansing and purifying rain coming down upon the ladies as the men are getting ready to perform the number with the umbrellas (and trust me, the umbrellas are meant to be a phallic symbol). Whereas rain is a sign of a character being cleansed and even "re-born," Dallas tells Adam (Alex Pettyfer) that the strippers are the husbands the women never had, the one night-stands and the fulfilled fantasy that allows them to go home to their husbands without having cheated on them (which is false), but now the rebirth the rain symbolizes is sexual appetites being created and fulfilled and it's because women want that and think it's a part of the "new femininity" that they "buy into it" (literally by throwing money and shoving money at the strippers).
visit this link to see Dallas training Adam on what women want from him when he's on the stage because the video wouldn't let me download it, but it's informative about what they aim to do, but it's also heavily edited). But linking sex to water in It's Raining Men--which is a traditional inversion of water as a sacrament of baptism cleansing one of their sins--is Brooke (Cody Horn) because her name also invokes water (a brook is like a stream) but she's the exact opposite of the women seen in the film (more on her below; Joanna [Olivia Munn] is another example of the masculine/feminine; her name, "Jo" and "Anna" combines the masculine and feminine and just so we don't miss this, the film makes sure to let us know that she's bisexual) linking the sexual experience to water creates the false illusion that this kind of experience is "life giving" when it's actually deadly (and we can say that because of various images in the film).
trailer for the documentary film Mansome (scroll down the page to find). Additionally, on the Fourth of July, Mike shows up at Brooke's house dressed as Marilyn Monroe in her iconic image from The Seven Year Itch about the problems of monogamy. Mike wearing Ms. Monroe's iconic white dress and platinum blond hair (wig) is a clear indication that he's losing his masculinity even as it appears he's living the dream life of every man (we can contrast this image with Jason Statham's Luke Wright in Safe, for example; please see Safe & Counter-Culture Masculinity for examples).
Why is this important to establish?
Because of "false" supply and demand it creates in the markets (this is an obvious Christian point for me to make, but I am going to focus on this economic one because it's unique how the film does it) and what it does to individuality. Let's watch this scene with Brooke and Mike: Mike very much reminds me of the artist William Morris who, in revolt against the Industrial Revolution devoted himself to making high-quality, original items the way things used to be made so the item would retain some of the person who made it (like a cobbler making shoes).
In this way, Mike represents the American Dream, doing what it is that you are good at and being able to make your living at it, because that is living because that is living, when your talent is being put to good use and it's supporting you because we are our talents and we are our dreams. In the opening of the film, when we first see Mike, he's with Joanna (Olivia Munn) and a third girl. Mike is leaving his house and asks Joanna to lock up and she is surprised that he would leave the two of them there; he doesn't think they will steal any of his stuff but Joanna tells him that stealing stuff is what strangers do. In truth, everything has all ready been stolen from Mike: his dignity (because he has to get drunk before he strips, meaning he can't "bear" to be fully conscious during the act) and the financial crisis caused by people like Dallas and Adam which wrecked the markets in 2008 and now mean that people like Mike can't get legitimate help because banks can't take a risk and the ones who did that, like Lehmann Brothers, stole from America and from the American Dream.
Brooke is a nurse's assistant, so she types all the nurses' paperwork for them...; now, we all have to have a job and means of supporting ourselves, so please do not take this in the wrong way, especially for those who are nurses' assistants but that would be an example of a boring, non-individuating job that is the American nightmare, the kind of job like, as Mike says, you do in order to raise money so you can do what you want to do.
The Theory of Moral Sentiments not invoked but necessary to making capitalism a healthy and truly productive system for societal economic sustainability (please see Radical Socialism: Abraham Lincoln Vampire Hunter & the Question Of American History). In the club where Mike dances, there is a statue of Michelangelo's David in gold, looking on the scene just as there is a David in Prometheus (Michael Fassbender who plays the android David to this statue David in Magic Mike). I couldn't find a photo of the statue, but here's a clip and the statue is in the background:
Why include that?
First, it reminds me of the 1960 Frederico Fellini film La Dolce Vita when Sylvia is seductively dancing (like the men's strip tease in Magic Mike) with that actor who has gotten the crazy hair cut (making him look like the pagan god Pan) while a giant statue of Constantine's head sits on the ground behind them, watching. Creating the link with the Fellini classic correlates Magic Mike's lifestyle to that of Marcello Rubini (Marcello Mastroianni) and the exhaustion of that lifestyle. But throughout some scenes in Magic Mike, they have placed a golden fig leaf over David's groin. Why? To undermine the "man after God's own heart," which David was and to make a point of David's holiness so the unholiness of the sexual lifestyle being bought and sold in the club will stand out against the gold of the statue like the black sin it is (for a more thorough analysis of David, please see 3 Davids, 3 Theologies: Donatello, Michelangelo & Bernini).
Eat Your Art Out,
The Fine Art Diner
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