It's actually living up to the hype.
The remake, budgeted at a mere $17 million dollars, uses no Computer Generated Images, everything we see is "real" as a magic trick, illusion or camera angle; that's pretty impressive, and the critics seem to be liking it (it's at a passable 64% on Rotten Tomatoes right now), as well as the fans. So what do we need to be looking for watching this horror-gore fest? There are several things,...
Necronomicon, and they are killed one by one until only one is left to fight for survival. Which of the friends fall, in what order, and by what means will all contribute--not only to characterization--but the plot and sub-message of the film as well. What will really need to hold our attention, however, without a doubt, is the Necronomicon.
It should go without saying, but I will say it anyway: any and all references to other horror films should be one of our mental checklists we mark as we watch the film, Carrie (which is scheduled for release this year), Friday the 13th, The Cabin In the Woods, Saw, etc., because Evil Dead wants us to know it's self-aware, it exists within a context of horror-films and that context is a dialogue with us the audience listening in. The more we can pick up on the visual imagery, the more we will be able to discern in the dialogue.
The Conjuring was the film scheduled for release in January but, it had such overwhelming responses from the audience, they moved it to a July 19 date instead, so here is trailer 2:
I glanced over some comments left by others for the newest trailer Mortal Instruments: City Of Bones, which I am really excited about. Again, people have complained about the lack of "originality" in the story line about a "messianic" figure who is the only hope of humanity, but the truth is, this storyline continues as a viable vehicle because it re-enforces the free will each of us have and the responsibility the choices we make on a day-to-day basis effects the world. In other words, either each of us is a "shadow hunter" or a demon to be hunted:
This is, simply, the power of art to "show" and not just tell: we can be told something by our parents as we are growing up, for example, but seeing what sin does to our soul as it is depicted in the form of a monster, is far more powerful than someone telling us that sexual sins are mortal; likewise, seeing a hero overcome the enemy is far more encouraging for our spiritual battles than merely being told to "resist temptation" and fight the good fight. At 1:58, it's not the characters who are faced with saving the world or letting it fall to darkness, but we who are faced with saving the world by saving ourselves and making the choices that make us strong individuals.
Once more, if you haven't read the book since high school, it's a fab and quick read:
Have a great weekend!
Eat Your Art Out,
The Fine Art Diner
The remake, budgeted at a mere $17 million dollars, uses no Computer Generated Images, everything we see is "real" as a magic trick, illusion or camera angle; that's pretty impressive, and the critics seem to be liking it (it's at a passable 64% on Rotten Tomatoes right now), as well as the fans. So what do we need to be looking for watching this horror-gore fest? There are several things,...
Necronomicon, and they are killed one by one until only one is left to fight for survival. Which of the friends fall, in what order, and by what means will all contribute--not only to characterization--but the plot and sub-message of the film as well. What will really need to hold our attention, however, without a doubt, is the Necronomicon.
"He'll suck your soul dry," while that seems like a simple statement, there is actually quite a bit contained within this image. We know that "He" refers to a male, so the demon released by the book is male, not female, and that male demon is possessing the young people. "Soul" is not something materialists believe in, so the universe in which this film operates does so in a world where there is immortal beings (by definition, the soul is immortal); this does not necessarily mandate a belief in God, as some actually believe a person can have an immortal part of them without it necessarily coming from God. "Dry" is an interesting choice of words, because that does mandate a specific belief system: Christianity. When Jesus went through His Passion, He told the women, "Weep not for Me, but for your children" because He is the branch full of the sap of Life, and the "dry wood" He references is those who lack the sap of life, Grace, the life-force coming from God. Because Grace comes to us first in the Waters of Baptism, water is usually the symbol of Grace, so "dry" would be the opposite of a soul filled with Grace. How? This will be the task of the film, however, because this statement is written in red, we can pre-deduce something about what will happen. Red is the color of the appetites, because more than anything, we hunger for love (the virtue) because when we truly love someone, we are willing to spill our (red) blood for them; or, red can be the color of anger because being angry is the opposite of loving someone, and we turn red with anger. It is, perhaps, by feeding the appetites, denying the appetites or both--depending on the person involved--that those who die will die, we will have to see. There is at least one more detail on this page, the writing underneath the written message, "He'll suck your soul dry," written in columns; the language of that writing will be important because it denotes the cultural background of this book. On the other page, the right-side, is a figure which reminds me of Geryon, the allegorical figure in Dante's Inferno who symbolized fraud: the pleasant face of a man hides the horrible, deformed body of a winged beast, because fraud always appears as "something nice" (the pleasing face of a man) which hides the animal appetites beneath (the serpentine body). So, we need to be looking for instances of fraud in the film, as well. There is also, in the trailer above, a brief image of a horned goat (did we see a similar image in Sherlock Holmes in 2009? I think we did) but that also references that weird painting in the bedroom in The Cabin In the Woods of the goat and the dog pack. |
The Conjuring was the film scheduled for release in January but, it had such overwhelming responses from the audience, they moved it to a July 19 date instead, so here is trailer 2:
I glanced over some comments left by others for the newest trailer Mortal Instruments: City Of Bones, which I am really excited about. Again, people have complained about the lack of "originality" in the story line about a "messianic" figure who is the only hope of humanity, but the truth is, this storyline continues as a viable vehicle because it re-enforces the free will each of us have and the responsibility the choices we make on a day-to-day basis effects the world. In other words, either each of us is a "shadow hunter" or a demon to be hunted:
This is, simply, the power of art to "show" and not just tell: we can be told something by our parents as we are growing up, for example, but seeing what sin does to our soul as it is depicted in the form of a monster, is far more powerful than someone telling us that sexual sins are mortal; likewise, seeing a hero overcome the enemy is far more encouraging for our spiritual battles than merely being told to "resist temptation" and fight the good fight. At 1:58, it's not the characters who are faced with saving the world or letting it fall to darkness, but we who are faced with saving the world by saving ourselves and making the choices that make us strong individuals.
Once more, if you haven't read the book since high school, it's a fab and quick read:
Have a great weekend!
Eat Your Art Out,
The Fine Art Diner
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