Both films opening this weekend, Steven Soderbergh's Side Effects with Jude Law, Channing Tatum, Catherine Zeta-Jones and Rooney Mara, as well as Jason Bateman's and Melissa McCarthy's Identity Thief, look to be fabulous examples of cultural and political encoding within a facade of entertainment. Identity Thief, because it's a comedy, might score a little bigger at the box office this weekend, so let's consider it first.
What we know of the film is that Sandy Patterson (Bateman) is a financial beaucrat and Diana (McCarthy) is a con-artist that even other criminals are after; Patterson has to go to Florida, the sight of Diana's spending spree on his unlimited credit cards, and drag her back to Denver to get her to confess her crime of stealing his identity so he doesn't have to pay the huge debt she's racked up in his name. All we have to ask is this question: who has recently accumulated a huge debt because of an unlimited spending spree?
America. the complete plot is revealed at this link. If you prefer not knowing what will happen, let us make these few observations, then you should probably stop reading until after you have seen the film. As is usual, Emily (Mara) will symbolize the "motherland" and her husband Martin (Channing Tatum) the economy, not only because he is a young male, but because he was a wealthy business man imprisoned for insider trading for four years. Emily suffers from "depression," which is not only a mental condition but, as well, an economic condition (as in the Great Depression of the 1930s). Drugs have been plot devices in a number of films lately, such as Dredd, Lawless (alcohol), House At the End of the Street (Carrie Ann is drugged), Savages, Hansel and Gretel Witch Hunters (the insulin), Looper, Arbitrage (the French artist uses drugs), Gangster Squad, etc. The film perhaps most closely resembling what will be seen with Side Effects is The Bourne Legacy because of how drugs/meds are used to program the behavior of the agents like Aaron Cross (please see All Points Of Convergence: The Bourne Legacy & Programmable Behavior for more). This is the place to stop reading.
Perhaps the two most important lines revealed in the trailer for our purposes, are at 0:12, when Martin tells Em, "I can get us back to where we were," because, decoded, that is, the upper-class telling America that they can take us back to the time of prosperity that we had prior to 2008; how can I deduce that meaning? Two reasons. The murder committed in the film is Em killing Martin, she stabs him to death. America, in the Occupy Wall Street movement and in the liberal media and political rhetoric, has murdered the 1% of the wealthy just like in the film; secondly, the plot of the film reveals that Em and Victoria (Zeta-Jones) had a homosexual affair and plotted the whole thing because Em was blaming Martin for taking away the rich lifestyle they had enjoyed together and lost so Victoria and Em frame Jonathan (Jude Law) to take him to the cleaners.
Which brings us to the second point.
The Fine Art Diner
What we know of the film is that Sandy Patterson (Bateman) is a financial beaucrat and Diana (McCarthy) is a con-artist that even other criminals are after; Patterson has to go to Florida, the sight of Diana's spending spree on his unlimited credit cards, and drag her back to Denver to get her to confess her crime of stealing his identity so he doesn't have to pay the huge debt she's racked up in his name. All we have to ask is this question: who has recently accumulated a huge debt because of an unlimited spending spree?
America. the complete plot is revealed at this link. If you prefer not knowing what will happen, let us make these few observations, then you should probably stop reading until after you have seen the film. As is usual, Emily (Mara) will symbolize the "motherland" and her husband Martin (Channing Tatum) the economy, not only because he is a young male, but because he was a wealthy business man imprisoned for insider trading for four years. Emily suffers from "depression," which is not only a mental condition but, as well, an economic condition (as in the Great Depression of the 1930s). Drugs have been plot devices in a number of films lately, such as Dredd, Lawless (alcohol), House At the End of the Street (Carrie Ann is drugged), Savages, Hansel and Gretel Witch Hunters (the insulin), Looper, Arbitrage (the French artist uses drugs), Gangster Squad, etc. The film perhaps most closely resembling what will be seen with Side Effects is The Bourne Legacy because of how drugs/meds are used to program the behavior of the agents like Aaron Cross (please see All Points Of Convergence: The Bourne Legacy & Programmable Behavior for more). This is the place to stop reading.
Perhaps the two most important lines revealed in the trailer for our purposes, are at 0:12, when Martin tells Em, "I can get us back to where we were," because, decoded, that is, the upper-class telling America that they can take us back to the time of prosperity that we had prior to 2008; how can I deduce that meaning? Two reasons. The murder committed in the film is Em killing Martin, she stabs him to death. America, in the Occupy Wall Street movement and in the liberal media and political rhetoric, has murdered the 1% of the wealthy just like in the film; secondly, the plot of the film reveals that Em and Victoria (Zeta-Jones) had a homosexual affair and plotted the whole thing because Em was blaming Martin for taking away the rich lifestyle they had enjoyed together and lost so Victoria and Em frame Jonathan (Jude Law) to take him to the cleaners.
Which brings us to the second point.
The Fine Art Diner
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