(This review is for the book; the review for the film, which I thought was actually better than the book, but far more socialist is Radical Socialism: Abraham Lincoln Vampire Hunter & the Question Of American History). Please permit me to preface, at the behest of a reader, that I am completely willing to suspend my disbelief to enjoy this story; however, all art is an expression of the society from which it comes and the unconscious needs of its individuals; it's art's duty to express those needs and, while I had hoped the vampires would symbolize the "blood-sucking politicians" in Washington, not just anyone and everyone who has made money in this country. I This preview is for the book, not the upcoming film with the same title:
Abraham Lincoln.
It would be easy to forget the president were he not the quintessential icon of the American dream: self-taught, poor, raised on the frontier, the self-made president was known as Honest Abe, "With charity towards all, and malice towards none." When I saw the initial trailers for the upcoming film Abraham Lincoln Vampire Hunter, based on Seth Grahame-Smith's novel (who also penned the socialist screenplay Dark Shadows), these were the popular conceptions of Lincoln I believed a successful novel would draw upon, and the vampires he hunted would be symbolic of the corrupt politicians sucking the country dry of honor, leadership and resources for their own self-advancement, contrary to Honest Abe's devotion and self-sacrifice to keeping the union one at a time--like today--that the country is so divided on issues.
I was wrong.
He believes that if you have money, you are a vampire.
Having said that, Grahame-Smith's novel suggesting that it is the "real history" of President Lincoln is a terrible, terrible lie; Lincoln never did nor would he ever, advocate the anti-capitalist sentiment Grahame-Smith does by his vampires. Grahame-Smith proposes the Lincoln was a socialist, which he wasn't, ever, and that Lincoln went around busting up capitalists, which he never did, and that Lincoln hated the founding fathers and the founding purpose of this country, which he didn't. I believe completely in the license of art, but I also know that there are such things as blatant lies, and in this election year, one of the greatest Americans in our history has been given a plastic surgery to make him unrecognizable and it's important to know how and why this has been done and it basically revolves on how Democrats and Republicans define "freedom."
I'd always known I'd end up in the store after graduation, just like I had every summer since I was fifteen. I wasn't family in the strictest sense, but Jan and Al had always treated me like one of their kids--giving me a job when I needed it most; throwing me a little pocket money while I was away at school. The way I saw it, I owed them six solid months, June through Christmas. That was the plan. Six months of working in the store by day, and working on my novel nights and weekends. Plenty of time to finish the fist draft and give it a good polish. Manhattan was only an hour and a half by train, and that's where I'd go when I was done, with four or five pounds of unsolicited, proofread opportunity under my arm. Goodbye, Hudson Valley. Hello, lecture circuit.
Nine years later I was still in the store. (page 5)
Then he goes onto complain about people who come into his store, and what he's had to do to keep the store going.
The Gabbler has the audacity to suggest Lincoln was gay). IF this film proves to be socialist, then that's one more way Sacha Cohen Baron's The Dictator proves accurate about Obama's Party, because that will be a re-doing of the political language of the country.
What still has me worried?
Please note at 0:52, when "Abe" turns around and there's a vampire standing there, and Abe throws him up, the sign on the building the vampire hits says "BARTS SHIPPING," which refers to the money-lender (from the book who was named Barts) that sucked Lincoln's mother dry. The identity of the manufacturer is retained, meaning it will probably still be anti-capitalist. In some cases, I can absolutely agree with an anger about millionaires and billionaires who don't do more public works with their surplus of wealth (I would love to see celebrities banning together to help the Katrina victims, the way they all did to help the 9/11 victims, with so man of them donating $1 million, that was great! but they rarely do that and that's flaws in human nature), there are--without a doubt--people in the capitalist world who are so driven by greed that they will do anything to anyone to make a buck. The collapse on Wall Street is perfect testimony to this; but what president was it who ordered the Wall Street bail out?
In the book, this question is really the thesis of the socialist agenda: "Why would any man conspire against himself? Why would any man hasten his own enslavement?" (emphasis in the original, page 270). From a capitalist view, we can say that socialism is enslavement because the government is given total control over all individuals in society and there is no mobility, upwards or downwards, there is no choice of job, there is no freedom of selection. In socialism, the enslavement comes from having to have a job, from having to work, to having to actually be good at something and be responsible for yourself rather than have the government taking care of you. These are imperative concepts, because this is exactly what the civil war in this country is about right now and what will be decided in November. They are also patriotic concepts because we are now--thanks to Mr. Grahame-Smith--arguing about what this country was founded upon, who founded it and why (because there was too much government control in countries they were fleeing, there was no personal freedom and people wanted to be responsible for themselves and have a chance at mobility, that's why). If you will, please watch this latest trailer, not from a realistic perspective, rather, as if it's anti-capitalist and pro-socialist:
Liberals have many times accused me of seeing only what I want to see in film interpretation, but to save my life, at this point in time, having read the book (which, thankfully, I bought second-hand so as not to contribute to Mr. Grahame-Smith's accumulation of wealth so he doesn't become a vampire like the ones he wants murdered) I just can't see how there is going to be a lick of sense in it. Additionally, at the end, Abraham Lincoln has been raised from the dead and has become a vampire. Yes, Abraham Lincoln has been raised by the dead by the very political party that hated him so much, they seceded from the Union and started the Civil War, and have turned him inside-out against what he really believed and stood for.
God help us.
Abraham Lincoln.
It would be easy to forget the president were he not the quintessential icon of the American dream: self-taught, poor, raised on the frontier, the self-made president was known as Honest Abe, "With charity towards all, and malice towards none." When I saw the initial trailers for the upcoming film Abraham Lincoln Vampire Hunter, based on Seth Grahame-Smith's novel (who also penned the socialist screenplay Dark Shadows), these were the popular conceptions of Lincoln I believed a successful novel would draw upon, and the vampires he hunted would be symbolic of the corrupt politicians sucking the country dry of honor, leadership and resources for their own self-advancement, contrary to Honest Abe's devotion and self-sacrifice to keeping the union one at a time--like today--that the country is so divided on issues.
I was wrong.
He believes that if you have money, you are a vampire.
This image captures the "reality" the book presents best for someone who hasn't read it. Yes, that is supposed to be a photograph of writer Edgar Allan Poe and Abraham Lincoln. The poor quality reflected in this photo-shopped image reflects the poor quality of the theories of the book. I mentioned in my post, The Raven & the Raccoon: Edgar Allan Poe & Karl Marx that both Democrats and Republicans would be appropriating the image of the great American writer for their own sides, and this "photograph" is proof. Like Men In Black III citing Andy Warhol in the relationship between capitalism and art, The Raven created a strong opposition between socialism and capitalism and the role consumer tastes--even when they are wrong--serve in the production of great art. Not everyone is meant to be an artist, not everyone can write, not everyone can make a film; that's called "life" not the French Revolution and killing everyone so you can spend your life writing mediocrity. If one is truly called to be an artist, in whatever medium, you suffer for it, you make the choices to be that and nothing else and that's how it is, unless you are Mr. Grahame-Smith and you believe it should be handed to you, which he obviously does so he can produce art as low in quality as this "image" of Poe and Lincoln. In the film Abraham Lincoln: Vampire Hunter, the figure of Poe has been "axed" out of the story (there is a Harriet Tubman, however, who does not appear in the book) but the reason why Poe appears in the book is because, Grahame-Smith reasons, someone who wrote about "so much darkness" must have known something of vampires. Great logic,... |
I'd always known I'd end up in the store after graduation, just like I had every summer since I was fifteen. I wasn't family in the strictest sense, but Jan and Al had always treated me like one of their kids--giving me a job when I needed it most; throwing me a little pocket money while I was away at school. The way I saw it, I owed them six solid months, June through Christmas. That was the plan. Six months of working in the store by day, and working on my novel nights and weekends. Plenty of time to finish the fist draft and give it a good polish. Manhattan was only an hour and a half by train, and that's where I'd go when I was done, with four or five pounds of unsolicited, proofread opportunity under my arm. Goodbye, Hudson Valley. Hello, lecture circuit.
Nine years later I was still in the store. (page 5)
Then he goes onto complain about people who come into his store, and what he's had to do to keep the store going.
The Gabbler has the audacity to suggest Lincoln was gay). IF this film proves to be socialist, then that's one more way Sacha Cohen Baron's The Dictator proves accurate about Obama's Party, because that will be a re-doing of the political language of the country.
What still has me worried?
Please note at 0:52, when "Abe" turns around and there's a vampire standing there, and Abe throws him up, the sign on the building the vampire hits says "BARTS SHIPPING," which refers to the money-lender (from the book who was named Barts) that sucked Lincoln's mother dry. The identity of the manufacturer is retained, meaning it will probably still be anti-capitalist. In some cases, I can absolutely agree with an anger about millionaires and billionaires who don't do more public works with their surplus of wealth (I would love to see celebrities banning together to help the Katrina victims, the way they all did to help the 9/11 victims, with so man of them donating $1 million, that was great! but they rarely do that and that's flaws in human nature), there are--without a doubt--people in the capitalist world who are so driven by greed that they will do anything to anyone to make a buck. The collapse on Wall Street is perfect testimony to this; but what president was it who ordered the Wall Street bail out?
From the book: a skull of a vampire fighting for the Confederacy. I wonder if Grahame-Smith ever attended an American history lecture in his life, and knows who it was that started the Civil War? |
Liberals have many times accused me of seeing only what I want to see in film interpretation, but to save my life, at this point in time, having read the book (which, thankfully, I bought second-hand so as not to contribute to Mr. Grahame-Smith's accumulation of wealth so he doesn't become a vampire like the ones he wants murdered) I just can't see how there is going to be a lick of sense in it. Additionally, at the end, Abraham Lincoln has been raised from the dead and has become a vampire. Yes, Abraham Lincoln has been raised by the dead by the very political party that hated him so much, they seceded from the Union and started the Civil War, and have turned him inside-out against what he really believed and stood for.
God help us.
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